Archives For Film & TV

Iron Man 3 Fall PosterThe armor was never a hobby or a distraction. It was a cocoon. — Tony Stark

Iron Man 3 is Robert Downey Jr.’s fourth (and possibly final) turn as Tony Stark under his third director – Shane Black (Jon Favreau and Joss Whedon being the previous). It’s also the first Marvel Phase 2 film – meaning it’s the first single-hero film they’ve released in the wake of team-up superfest Avengers. The question on everyone’s mind is: Does Tony Stark still have an interesting story to tell?

Iron Man 3 proves the answer is Yes. Tony is back with a vengance and leaves us anxious for more!

Iron Man 3 features a new, more vulnerable Tony, the same cast we’ve grown to love and a pretty plausible excuse for not having other Avengers show up (not that I ever had a personal problem with that – as a comic reader I love reading both stand-alone Iron Man and Avengers titles). The villain is great, the story is great. It’s all great (in fact, Pepper and Rhodie are probably the two weakest parts of the film). If you liked the first Iron Man, my guess is you’ll love 3. If you didn’t like Iron Man 2, don’t worry! This film avoids 2′s mistakes nearly to a fault.

Fair warning: massive spoilers after this point Continue Reading…

Pain and Gain PosterPain and Gain is the new film starring Mark Wahlburg (who will forever be Marky Mark in my heart) and The Rock. It’s smart, funny and completely over-the-top, which makes it hard to remember that the story actually happened. (Here’s a great article from Slate fact-checking the film).

But the most surprising is that this thoughtful, well-crafted film was directed by non other than Michael Bay.

Yes, that Michael Bay. The same director who crapped on my childhood with his Transformers films and desecrated a national tragedy with the abomination that is Pearl Harbor.

That Michael Bay made a smart, fun film that offers some fascinating reflections on the American Dream. Continue Reading…

Just waiting for Families?

Just waiting for Families?

I grew up going to Christian Youth Summer Camp. The ongoing joke was that camp concluded each year by playing the Michael W. Smith neo-classic “Friends Are Friends Forever” while everyone cried and hugged their new best friends forever and swore to write to each other. Which of course never happened. (And yes, I grew up before cell phones and social media. I get it. I’m old.)

The song turned into a joke for a lot of reasons – mostly the misappropriation of the song by the camp leaders to manipulate an already-emotionally-charged environment. I wasn’t actually friends with any of those people I met at the camps. I liked them. They were (and I’m sure still are) great people. But we’d known each other for at most four days. We were acquaintances.

Despite what the song promised, those summer camp friendships weren’t real friendships.

Last week, the internet practically exploded with a different sort of Friends frenzy. Buzz erupted that the now-classic 90s sitcom Friends would return for a reunion episode – or possibly entire season. But the rumor was crushed by the sitcom’s co-creator Marta Kauffmann when she told Entertainment Weekly,

I’m going to clear this up — it’s not happening. Friends was about that time in your life when your friends are your family and once you have a family, there’s no need anymore. (emphasis mine)

Look kids! Single people! Their abject misery is hilarious!

Look kids! Single people! Their abject misery is hilarious!

You probably already knew that I’m not a big fan of sitcom theology, but this deserves special attention. Kauffmann’s remarks about the kind of friendship, indeed the kind of personhood embodied on Friends is telling. A person’s friends are not essential to their core being. Rather, a person isn’t fully human until they’re married with children. Friends, according to Friends’ creator, are fundamentally inferior to – and different from – family.

According to Kauffmann, even though Ross and Rachel and Monica and Chandler and Joey and Phoebe might still have some stories, the Friends don’t have any stories left to tell together. Their collective story is over.

The philosophy behind the most popular sitcom of the last generation says that friends are good enough until you get a family. But once you have a real family, you don’t need those friends anymore.

Such a shallow picture of friendship is as false as those summer camp relationships. Continue Reading…

42 Poster42 is the new biopic of Jackie Robinson, the first black man to play Major League Baseball. It’s a typical sports film in that it’s inspirational and feel-good. It’s also a typical race film in that it’s fairly heavy-handed. Even though 42 doesn’t look too hard to find a weakness in Robinson, neither does it shy away from portraying how brutally he suffered.

42 centers on the relationship between Brooklyn Dodgers owner Branch Rickey and Robinson. Rickey recruits Robinson as the key player in his plan to desegregate baseball. Rickey proves to be as shrewd a businessperson as he is a strong Christian.

Rickey’s faith drives how he conducts the business of baseball.

He’s Methodist. I’m Methodist. God‘s Methodist. There’s no problem.
– Rickey, talking about Robinson. Continue Reading…

Evil Dead - Poster NewFirst things first: you might have heard about a remake that came out this weekend called Evil Dead. It’s a reimagining/reboot/remake of The Evil Dead, the first film of one of the greatest cult trilogies of all time. Despite the enormous amount of pressure and skepticism surrounding the new film, director Fede Alvarez has succeeded wildly, no doubt in part due to the mentoring he received from original director and star Sam Rami and Bruce Campbell.

The Evil Dead remake succeeds because rather than trying to retell the story beat-by-beat, it aims to recapture the spirit of the original film.

Continue Reading…

storymen_avatar3The StoryMen podcast I do with Matt Mikalatos and Clay Morgan put out our 10th episode today. Head over to the StoryMen page to check it out!

In this episode, we talk about Crowdsourcing, and how the Church should be taking note to recapture the spirit of the Body of Christ we see in the Scriptures. You’ll also learn:

  1. Our thoughts on History Channel’s The Bible 
  2. The stunning results of the first ever StoryMen live taste test
  3. One of the StoryMen’s unusual obsession with dust
  4. The shocking board game I don’t own

If you enjoy The StoryMen, you can help us out by liking us on Facebook, and by subscribing, rating or reviewing our podcast on iTunes.

Listen in and let us know what you think!

OF PosterOlympus Has Fallen took me off-guard. Studios typically reserve the first quarter of the year for movies they don’t think will make much money (because they’re not very good), so I went in hoping to be mildly entertained (like I was in Dead Man Down). But I got more than I was expecting, and I mean that in the best way.

Olympus Has Fallen subtly critiques American exceptionalism and imperialism while Gerard Butler less subtly kills lots of terrorists.

The plot is fairly straight-forward: Butler plays Mike Banning, a disgraced-but-awesome Secret Service agent who ends up alone in the White House after a North Korean terrorist cell takes it over and holds the President hostage. If you think Die Hard in the White House, you won’t be terribly far off.

The action is good, the plot as believable as possible given the set-up and the script and characters are actually pretty great. But what makes Olympus Has Fallen really stand out is what’s going on beneath the surface.

Olympus Has Fallen uses Greek mythology to point out America’s hubris on the world stage. Continue Reading…

Beauty is the Beast

March 18, 2013 — 2 Comments

Remember that story about a handsome young man whose beauty masked an ugly soul? He was cursed, so that his exterior truly represented his interior – he was turned into a monstrous beast. That curse could only be broken when he truly changed, and when that change was observed by a young beauty who loved that inner beauty despite the outer beast.

That tale as old as time is quickly being forgotten by our culture.

A couple of recent stories demonstrate how uncomfortable we’re getting with character as the definition of Beauty. Dead Man Down, the new film starring Collin Farrell and Noomi Rapace, feeds this unfortunate trend. The film itself isn’t bad. It’s got decent action and the script is actually pretty well-written. But the film’s treatment of Noomi Rapace’s Beatrice is so problematic it becomes absurd.

Dead Man Down is a pretty formulaic revenge flick where two broken people find healing in each other. The two leads – Beatrice and Victor are ugly souls who find beauty in each other blah blah blah. Beatrice has been in a car accident and has undergone a series of reconstructive surgeries to salvage her face. The film makes sure we know that Beatrice is a hideous creature. She’s clearly ashamed of her scars, and every time she leaves her apartment, the kids in the complex chase her, throwing rocks at her while shouting monster.

Yes, I’m serious.

So, are you ready to see this hideous monster? Here she is:

Continue Reading…

You need to know that I really wanted to love A Good Day to Die Hard.

Die Hard Poster

John McClane is my hero. I saw the original Die Hard way to young (though it was on USA). And I loved all the sequels. Yes, even number 2. I saw a midnight showing of 2007′s Live Free or Die Hard and love it.

So when I heard Die Hard 5 was in the works, I was ready. Ready to be blown away. Ready to follow an unwilling John McClane on another seat-of-his-pants adventure to save the world and stop some bad guys from stealing some money (it’s always about the money) while doing his best to be a family man.

So why did A Good Day to Die Hard fall so flat?

At first glance, Good Day has all the quintessential Die Hard elements. McClane is a family man – this time he’s trying to reconnect with his estranged son. Featuring McClane’s kids in the two most recent installments didn’t bother me like it does a lot of people. We met the kids in the first film, and I like to see how their relationship with John has grown up. It’s a nice way to preserve the heart his wife Holly provided the first two films without rehashing the on-again, off-again relationship they had.

As for action, Good Day had tons, and it was mostly really good. The direction was mostly good, and surprisingly easily to follow in the era of frenetic shaky-cams. The sets were big, the one-liners (uttered of course by McClane and Son) were plentiful and of course there was a con.

And yet… A Good Day to Die Hard was just missing something. Continue Reading…

Warm Bodies

February 6, 2013 — 4 Comments

Warm Bodies Poster 2There’s a precarious period in any trend when we have to wonder if it’s on the decline. We’ve reached that moment with the Zombie craze. Every time a new project is announced, there are a few more eye-rolls than before. We all wonder: will this be the movie/book/tv-show that breaks the Zom-bubble? (Spoiler: It’ll be World War Z).

So it’s refreshing to meet a film like Warm Bodies, probably only the second ever Zom-Rom-Com after the now-classic Shaun of the Dead. Warm Bodies is a story of forbidden love (explicitly modeled after Romeo-and-Juliet… or should that be Romero-and-Juliet?) that uses the Zombie metaphor to demonstrate the power of love.

Plus, the posters are just hilarious and awesome. The marketing team deserves some sort of award. Can we work on that?

Warm Bodies is a perfect example of why we love monsters: because monster stories are really about us. Continue Reading…