JR. Forasteros - August 17, 2014

Haggai

Major/Minor

When we experience crushing tragedy, recovering seems impossible. Often, we build walls inside ourselves, keeping our hearts and souls safe - or so we think. Haggai shows us that in the wake of the Exile, God's people were doing the same. They were neglecting their relationship with God because it was too painful. But Haggai's challenge to them is the same as to us: if we stay behind our walls, we'll slowly die. We must embrace God once again, and when we do, we'll find not a God who is cold, uncaring and distant, but a God who suffers with us, who is working even now to redeem the world.

From Series: "Major/Minor"

We live in turbulent times - from endless war to a slowly recovering economy to a looming educational crisis and ineffective government. While we take care of our lives one day at a time, we can't help but sense a storm gathering on the horizon. In this, we are much like the Jewish people who lived at the time of the prophets. Surrounded by forces outside their control, God called them to remain faithful in their daily life, to trust him to handle the big stuff. God spoke through prophets. Because their books are so short, we call them the Minor Prophets. But while their writings are short, their message has major implications for our lives today. Welcome to Major/Minor!

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Most of us don’t connect new technologies to our faith. After all, Jesus never had a Facebook profile. He didn’t post on Instagram or even have a smartphone. No wonder we struggle to imagine the Bible has anything to say about this Brave New World we live in. But we can think theologically about the technology in our lives. We can learn not a new set of rules (How many episodes per day is too many when I’m binge-watching? How old should my kids be before they get smartphones?), but rather how to ask the right questions. Do our technologies help us bring about God’s surprising, mustard seed kingdom here on Earth as it is in Heaven?

How are our screens spiritual? Welcome to SOCIAL.

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